May
27
More on Will o’ the Wisps, from Ken Drees
May 27, 2010 |
Regarding the Will o' the Wisp post from the Chair some weeks back, I stumbled upon a nice passage in a book that I am reading–The Works of Guy De Maupassant. 1903 first edition.
He is a french short story writer from the early 20th century. Most of these stories so far are interesting in the way of a twist, with backdrops of war relations, sexual tension in terms of class distinction–i.e., lady of high standing or prostitute, stories regarding status– outlander or soldier– commoner and his standing in his small social circle, pregnant milkmaid, etc. These stories are interesting and entertaining in terms of language and settings/social settings and endings–a good short story diversion type read.
I just read a Prussian military story that was really well done. A small band of occupying soldiers couped up in a manor house under rainy weather with a French priest who will not ring bells due to the occupation and the soldiers getting restless. And then they send out for some French women to entertain them for an evening. Then the drama builds.
The particular story with a passage about a marsh was very moving, a descriptive and interesting scene. Two men are going out into a 3:00 am morning blind with very cold temperatures to hopefully hunt exotic wildfowl. It is a setting near an old growth forest where the best and most diverse fowl can be taken. It is a marsh that they are walking into.
Here is the writing from the story entitled "Love":
I am passionately fond of water and above all the marshes, where the whole unknown existence of aquatic animals palpitates. The marsh is an entire world in itself on the world of the earth-a different world, which has its own life, its settled inhabitants and its passing travelers, its voice, its noises, and above all its mystery. Nothing is more impressive, nothing more disquieting, more terrifyingly occasional, than a fen. Why should a vague terror hang over these low plains covered with water? Is it the low rustling of the rushes, the strange will o' the wisp lights, the silence which prevails on calm nights, the still mists which hang over the surface like a shroud; or is it the almost inaudible splashing so slight and so gentle, yet sometimes more terrifying then the cannons of men or the thunders of the skies, which make these marshes resemble countries one has dreamed of, terrible countries holding an unknown and dangerous secret?
No, something else belongs to it–another mystery, perhaps the mystery of creation itself! For was it not in stagnant and muddy water, amid the heavy humidity of moist land under the heat of the sun, that the first germ of life pulsated and expanded to the day?
The story continues into a hunt for fowl where the two men share an ice block blind in the marsh with a hole at the top so they can light a fire. They hold out as long as possible in the cold until a fire is warranted for basic survival. They light a fire in the ice block and then they hear cries of fowl overhead -maybe the fire spooked them or the upcoming dawn was coincident–either way they step out of the blind and see the fire inside the icy ball. The description of light and dark, fire and ice, dawn and dark, wet and cold is simply excellent. On top of this is the rush of energy for the hunt.
The time in the icy house waiting for dawn with no fire reminds me of waiting for an entry in a position-you get colder and colder, bored and ready to do something stupid, play your hand out of boredom-or simply going to sleep. I am right now in a strung out trade due to my making (waiting for an exit) and find solace in waiting. I can always light a fire and declare it over, or can I hold out some more and make it work. Either way it's a long walk back to the cabin and the cognac is gone.
Comments
1 Comment so far
Archives
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- Older Archives
Resources & Links
- The Letters Prize
- Pre-2007 Victor Niederhoffer Posts
- Vic’s NYC Junto
- Reading List
- Programming in 60 Seconds
- The Objectivist Center
- Foundation for Economic Education
- Tigerchess
- Dick Sears' G.T. Index
- Pre-2007 Daily Speculations
- Laurel & Vics' Worldly Investor Articles
De Maupassant was a very interesting character in areas not associated with his writings. His X-rated, hearty appetites and stamina was legendary. He was a typical Don Juan at the end of the 19th century. De Maupassant popularized the phrase, “Vidi, Vici, Veni” while attending a salon held by Zola. Much is written about De Maupassant’s exploits, loves, friendships, addictions, affairs, and peculiarities. Unfortunately, his habits were his downfall and he died of syphilis.